Roccioletti

Stati della materia.

Stati della materia – 1
Proiettore, letto, corpo addormentato.
Performance, 2023.

States of matter – 1.
Projector, bed, sleeping body.
Performance, 2023.

Etats de la matière – 1.
Projecteur, lit, corps endormi.
Performance, 2023.

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

 

———-

 

Stati della materia – 2

Manichino, strada, fotografo.
Performance, 2023.

Mannequin, street, photographer.
Performance, 2023.

Mannequin, rue, photographe.
Performance, 2023.

Thanks to Vincenzo Bruno.

 

Roccioletti

 

Roccioletti

 

Roccioletti

 

———-

 

Stati della materia – 3

René Magritte, 2023.
Ceci n’est pas un mail.
Questa non è una mail.
This is not an email.

Invio a 1290 destinatari.
Performance digitale, 2023.

 

Roccioletti

 

———-

 

Stati della materia – 4

Better than me.
Performance digitale, 2023.

ChatGPT (Chat Generative Pre-trained Transformer) è un prototipo di chatbot basato su intelligenza artificiale e machine learning sviluppato da OpenAI specializzato nella conversazione con un utente umano. ChatGPT è un modello linguistico di grandi dimensioni messo a punto con tecniche di apprendimento automatico o non supervisionato, e ottimizzato con tecniche di apprendimento supervisionato e per rinforzo, che è stato sviluppato per essere utilizzato come base per la creazione di altri modelli di machine learning.”

Ho attivato un account e posto alcune domande a ChatGPT su temi legati alle arti performative. Ecco di seguito le sue risposte.

 

https://chat.openai.com/

 

What is the latest performance of contemporary art ever?

ChatGPT: It is difficult for me to determine the latest performance of contemporary art as my knowledge was cut off in 2021 and I do not have access to current information. Additionally, the concept of the “latest” performance in contemporary art is subjective and can depend on various factors such as the location and the specific art scene in which it is taking place.

Performance art is a constantly evolving and diverse field, with new works and ideas being created and presented all the time. There are likely to be many different performances happening simultaneously around the world at any given time, making it impossible to pinpoint a single “latest” performance.

I recommend keeping an eye on contemporary art events and galleries in your area for the latest performance art works and exhibitions. Alternatively, you could also research and discover new and emerging artists and their work online or through art publications.

 

What is the very first contemporary art performance ever?

ChatGPT: The concept of “contemporary art” and the term itself are relatively recent developments in the art world, and the boundaries of what constitutes contemporary art are constantly evolving. As a result, it is difficult to pinpoint a single, definitive “first” contemporary art performance.

However, performance art as a medium has a long and varied history that dates back to ancient rituals and ceremonies. In the 20th century, performance art began to take on more experimental and avant-garde forms, with artists such as Dadaists, Surrealists, and Fluxus artists incorporating elements of performance into their works.

Some of the earliest and most influential performance artists of the 20th century include Dadaists Hugo Ball and Emmy Hennings, Surrealist artists André Breton and Salvador Dali, and Fluxus artist Yoko Ono, among others. These artists and their works laid the foundations for the development of performance art as we know it today and continue to be highly regarded and influential in the art world.

 

Can you elaborate a project for a performance of contemporary art?

ChatGPT: Sure! Here is an example of a project for a performance of contemporary art:

Title: “Breaking the Mold”

Concept: This performance art piece aims to challenge and subvert societal expectations and norms related to gender and identity. The artist will use their body and physical actions to disrupt and deconstruct traditional gender roles and stereotypes, inviting the audience to consider the fluidity and complexity of identity.

Medium: The performance will primarily use the artist’s body and movement, as well as spoken word and sound. The artist may also incorporate props and costumes, such as wigs and masks, to further enhance the meaning and impact of the work.

Location: The performance will take place in a public location, such as a park or plaza, where the artist can interact with and engage with a diverse and potentially unfamiliar audience.

Duration: The performance will be approximately 30 minutes in length.

Audience Participation: The performance will involve elements of audience participation, inviting members of the audience to participate in certain actions and movements during the piece. This will encourage the audience to actively engage with the work and reflect on their own perceptions and beliefs related to gender and identity.

Overall, “Breaking the Mold” aims to create a dynamic and interactive performance that challenges and provokes thought about societal expectations and norms related to gender and identity. Through the use of the artist’s body, movement, and spoken word, as well as elements of audience participation, the piece aims to create a meaningful and impactful artistic experience for both the artist and the audience.

 

Can you elaborate for me another performance of contemporary art?

ChatGPT: Certainly! Here is another example of a performance of contemporary art:

Title: “The Invisible Man”

Concept: This performance art piece aims to explore and shed light on the experiences and challenges faced by marginalized and underrepresented groups in society. The artist will use their body and physical actions to represent and embody the invisibility and erasure often faced by these groups, inviting the audience to consider the ways in which power and privilege operate in our society.

Medium: The performance will primarily use the artist’s body and movement, as well as spoken word and sound. The artist may also incorporate visual elements such as projections and lighting to enhance the impact of the work.

Location: The performance will take place in a gallery or other indoor space, creating a more intimate and focused setting for the audience to experience the work.

Duration: The performance will be approximately 45 minutes in length.

Audience Participation: The performance will not involve audience participation, but will encourage the audience to reflect on their own role and responsibilities in creating a more equitable and inclusive society.

Overall, “The Invisible Man” aims to create a thought-provoking and emotional performance that invites the audience to consider the experiences and challenges faced by marginalized groups in society. Through the use of the artist’s body, movement, and spoken word, as well as visual elements, the piece aims to create a meaningful and impactful artistic experience that encourages the audience to reflect on their own privilege and power.

 

Which are the fundamental points to elaborate and produce a well-done performance of contemporary art?

ChatGPT: Here are some fundamental points to consider when elaborating and producing a well-done performance of contemporary art:

Concept: It is important to have a clear and well-defined concept or idea that serves as the driving force behind the performance. This could be a theme, message, or emotion that the performance aims to explore or convey.

Medium: The medium of the performance, including the use of the artist’s body, movement, spoken word, props, costumes, and other elements, should be carefully chosen and employed to enhance the impact and meaning of the work.

Location: The location of the performance should be chosen carefully to suit the needs and goals of the work. A public location may be more appropriate for a performance that aims to engage with a diverse and unfamiliar audience, while a gallery or other indoor space may be more suitable for a more intimate and focused experience.

Duration: The length of the performance should be appropriate for the concept and medium, and should be carefully considered to ensure that the work is impactful and engaging for the audience.

Audience Participation: Depending on the goals of the performance, audience participation can be a useful tool to engage and involve the audience in the work. However, it is important to carefully consider the extent and nature of audience participation to ensure that it enhances, rather than detracts from, the overall experience of the performance.

Rehearsal and Preparation: Adequate rehearsal and preparation are crucial for a well-done performance, ensuring that the artist is comfortable and confident in their movements and actions, and that all elements of the performance come together seamlessly.

By considering these points and carefully planning and rehearsing their work, artists can create meaningful and impactful performances of contemporary art that engage and resonate with their audience.

 

Which are the differences between performance and theater in the history and especially in contemporary art?

ChatGPT: Performance and theater have a long and intertwined history, with both forms drawing on elements of drama, storytelling, and physical expression to engage and entertain audiences. However, there are also significant differences between performance and theater, both in their origins and in their contemporary forms.

Historically, performance and theater can be traced back to ancient rituals and ceremonies, where people used dance, music, and other forms of physical expression to communicate with their gods and ancestors. Theater, as it is traditionally understood, emerged from these rituals and took on a more structured and formalized form, with the development of scripts, costumes, and sets.

In contemporary art, performance and theater continue to evolve and incorporate new elements and techniques, but they retain their distinct characteristics. Performance art is often more experimental and avant-garde, focusing on the body and its movements as the medium and message of the work. Performance artists often use improvisation and spontaneous actions to create their works, and they may incorporate elements such as sound, music, and spoken word to enhance the meaning of the piece.

Theater, on the other hand, is typically more structured and narrative-based, with a clear beginning, middle, and end. Theater productions often involve the use of costumes, sets, and props to create a more immersive and realistic experience for the audience. Theater can encompass a wide range of styles and genres, from traditional plays and musicals to more experimental and contemporary forms.

In summary, performance and theater are both forms of artistic expression that use the body and its movements to engage and entertain audiences. However, performance art is generally more experimental and focused on the body as the medium, while theater is more structured and narrative-based. Both forms continue to evolve and incorporate new techniques and elements in contemporary art, offering a wide range of possibilities for artists and audiences to explore and experience.

 

———-

4 Comments

  1. Punto nodale resta sempre la definizione dell’arte.
    In questo, “Ceci n’est pas une pipe” fissa un punto di partenza: la rappresentazione non è la realtà, e l’esigenza figurativa, in effetti, nasconde una mistificazione radicale.
    L’immagine della pipa non è la pipa.
    Né quella del nonno, che posso prendere in mano, né l’universale della pipa. E dunque? (…)
    Il passo successivo a Magritte, che evidenzia la crisi, è la lezione di Picasso: ” L’ artista deve ritrarre quello che non si vede.”
    (…) Nel complesso, tutte le convenzioni che tecnicamente rendono possibile la comunicazione, in realtà ci allontanano dalla vera conoscenza, ci costringono a fermare il nostro sguardo su una superficie fittizia, illusoria, falsa e del tutto impermeabile.
    (…)
    Forse l’ultimo margine di libertà resta quello, inconsulto, fornito dall’incomprensione. La fase in cui il cervello, famelico, non è ancora riuscito a incasellare il veduto dentro uno dei suoi cassetti, relegarlo nei confini determinati ma fittizi delle sue etichette. Tre secondi, non di più, in cui ci si domanda ancora liberamente: “…ma quello, cos’è?”
    Tre secondi in cui tutto è ancora possibile, in cui la realtà è senza confini, in cui…
    Uno.. due.. tre.

    c. reger
    [ riflessioni sul progetto fotografico
    ” 3 secondi “- 2014 ]
    http://www.c-reger.eu/14-TRESECONDI/TRESECONDI.html

    "Mi piace"

    1. Grazie per il commento, molto appropriato. Il progetto fotografico è molto interessante. Potremmo discutere ancora e molto a lungo della questione. Del linguaggio, inevitabile ma incompleto; del disagio dei tre secondi che diventa un valore da coltivare (mettersi in difficoltà). Sono meno certo, ma sicuramente contagiato dalle attuali letture, che sia possibile creare una dicotomia così netta tra l’apparenza e la vera conoscenza, cioè applicare ancora le categorie della doxa e dell’aletheia, che sono pur sempre un possibile modello teorico, ma solo uno, dei molti possibili, e non solo per ovvie influenze culturali dal mondo greco. Al contrario, con tutta la parte delle nuove tecnologie, pare che l’immagine, da documento prima e da simulacro poi, si sia proprio sostituita alla realtà, ne sia divenuta la simulazione plasmabile da cui poi si trae un flusso di informazioni per agire da qui, da questo lato dello schermo, nella realtà. La realtà è diventata propaggine dell’immagine, non viceversa. Ma ovviamente è un discorso molto complesso, e in corso. Intanto, grazie per il contributo.

      "Mi piace"

Rispondi

Inserisci i tuoi dati qui sotto o clicca su un'icona per effettuare l'accesso:

Logo di WordPress.com

Stai commentando usando il tuo account WordPress.com. Chiudi sessione /  Modifica )

Foto Twitter

Stai commentando usando il tuo account Twitter. Chiudi sessione /  Modifica )

Foto di Facebook

Stai commentando usando il tuo account Facebook. Chiudi sessione /  Modifica )

Connessione a %s...

Questo sito utilizza Akismet per ridurre lo spam. Scopri come vengono elaborati i dati derivati dai commenti.