Random bio-informations

Random bio-informations
Performance digitale, 2020.

 

Procedimento:

grazie ad una serie di generatori casuali
di informazioni biografiche,
saturare i motori di ricerca
di dati fuorvianti sull’identità.

 

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Indice:

a – 12 saggi falsi, generati casualmente
b – 15 biografie artistiche false
c – 18 statement artistici falsi
d – 700 titoli artistici casuali

 

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12 saggi falsi, generati casualmente
Thank to Nate Eldredge di MathGen
e a J.Stribling, M.Krohn e D.Aguayo
di SCIgen

 

Roccioletti – Analytically Desargues–Fermat Isometries andRational Galois Theory

Roccioletti – Deconstructing Voice-over-IP

Roccioletti – Exploration of the Location-Identity Split

Roccioletti – FUNCTIONS AND HYPER-SIMPLY PROJECTIVEMONOIDS

Roccioletti – Integrability Methods

Roccioletti – Local, Canonically Arithmetic, Compact Matricesover Atiyah Classes

Roccioletti – ON THE CLASSIFICATION OF STOCHASTICALLY UNIQUE FUNCTIONS

Roccioletti – ON THE DESCRIPTION OF FACTORS

Roccioletti – On the Derivation of Quasi-Compactly Maxwell,Left-Associative Primes

Roccioletti – On the Smoothness of Generic Sets

Roccioletti – On the Uniqueness of Semi-Intrinsic Ideals

Roccioletti – STABILITY METHODS IN RATIONAL CALCULUS

 

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15 biografie artistiche false,
generate casualmente.
Thanks to Jasper Rigole
del sito 500 letters

 

Andrea Roccioletti (°1979, Turin, Italy) creates performances, media art, installations and films. By investigating language on a meta-level, Roccioletti tries to grasp language. Transformed into art, language becomes an ornament. At that moment, lots of ambiguities and indistinctnesses, which are inherent to the phenomenon, come to the surface. His performances directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. With a conceptual approach, he tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. His works focus on the inability of communication which is used to visualise reality, the attempt of dialogue, the dissonance between form and content and the dysfunctions of language. In short, the lack of clear references are key elements in the work. By emphasising aesthetics, he seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life. His works sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning.

Andrea Roccioletti (°1979, Turin, Italy) creates performances, photos, performances and media art. By using popular themes such as sexuality, family structure and violence, Roccioletti plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense. His performances often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. By applying a poetic and often metaphorical language, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. His works are made through strict rules which can be perceived as liberating constraints. Romantic values such as ‘inspiration’, ‘genius’ and ‘authenticity’ are thereby neutralised and put into perspective. By rejecting an objective truth and global cultural narratives, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations. His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By applying a wide variety of contemporary strategies, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation. His work urge us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.

Andrea Roccioletti (°1979, Turin, Italy) creates performances, photos, performances and media art. By using popular themes such as sexuality, family structure and violence, Roccioletti wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation. His work urge us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By applying a wide variety of contemporary strategies, he plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense. His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By applying a poetic and often metaphorical language, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations. His works are made through strict rules which can be perceived as liberating constraints. Romantic values such as ‘inspiration’, ‘genius’ and ‘authenticity’ are thereby neutralised and put into perspective. By rejecting an objective truth and global cultural narratives, he creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. His works often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created.

Andrea Roccioletti (°1979, Turin, Italy) creates performances, photos, performances and media art. By rejecting an objective truth and global cultural narratives, Roccioletti creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. His performances doesn’t reference recognisable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By applying abstraction, he creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His work urge us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By choosing mainly formal solutions, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. His works are based on formal associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned.

Andrea Roccioletti (°1979, Turin, Italy) creates performances, photos, performances and media art. By emphasising aesthetics, Roccioletti tries to focus on the activity of presenting. The character, shape or content of the presented artwork is secondary. The essential things are the momentary and the intention of presenting. His performances sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning. By replaying the work for each exhibition and pushing the evocative power of the work a little further, he tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. His works are presented with the aim not to provide an idealistic view but to identify where light and the environment are important. The energy of a place and its emotional and spiritual vibrations are always important. By examining the ambiguity and origination via retakes and variations, he seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life. His works never shows the complete structure. This results in the fact that the artist can easily imagine an own interpretation without being hindered by the historical reality.

Andrea Roccioletti (°1979, Turin, Italy) makes paintings, paintings, photos and drawings. Through a radically singular approach that is nevertheless inscribed in the contemporary debate, Roccioletti uses references and ideas that are so integrated into the process of the composition of the work that they may escape those who do not take the time to explore how and why these images haunt you, like a good film, long after you’ve seen them. His paintings are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By putting the viewer on the wrong track, he tries to create works in which the actual event still has to take place or just has ended: moments evocative of atmosphere and suspense that are not part of a narrative thread. The drama unfolds elsewhere while the build-up of tension is frozen to become the memory of an event that will never take place. His works are a drawn reflection upon the art of painting itself: thoroughly self-referential, yet no less aesthetically pleasing, and therefore deeply inscribed in the history of modernism – made present most palpably in the artist’s exploration of some of the most hallowed of modernist paradigms. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing. His works are given improper functions: significations are inversed and form and content merge. Shapes are dissociated from their original meaning, by which the system in which they normally function is exposed. Initially unambiguous meanings are shattered and disseminate endlessly.

Andrea Roccioletti (°1979, Turin, Italy) makes photos, sculptures, performances and media art. By exploring the concept of landscape in a nostalgic way, Roccioletti investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. His photos establish a link between the landscape’s reality and that imagined by its conceiver. These works focus on concrete questions that determine our existence. With the use of appropriated materials which are borrowed from a day-to-day context, he presents everyday objects as well as references to texts, painting and architecture. Pompous writings and Utopian constructivist designs are juxtaposed with trivial objects. Categories are subtly reversed. His works are an investigation into representations of (seemingly) concrete ages and situations as well as depictions and ideas that can only be realized in photography. With Plato’s allegory of the cave in mind, he makes work that deals with the documentation of events and the question of how they can be presented. The work tries to express this with the help of physics and technology, but not by telling a story or creating a metaphor. He creates situations in which everyday objects are altered or detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created.

Andrea Roccioletti (°1979, Turin, Italy) makes drawings, installations, films and mixed media artworks. By referencing romanticism, grand-guignolesque black humour and symbolism, Roccioletti reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for ‘conclusive’ stories and the question whether anecdotes ‘fictionalise’ history. His drawings are often classified as part of the new romantic movement because of the desire for the local in the unfolding globalized world. However, this reference is not intentional, as this kind of art is part of the collective memory. By investigating language on a meta-level, he creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. They are inspired by a nineteenth-century tradition of works, in which an ideal of ‘Fulfilled Absence’ was seen as the pinnacle. His works focus on the inability of communication which is used to visualise reality, the attempt of dialogue, the dissonance between form and content and the dysfunctions of language. In short, the lack of clear references are key elements in the work. By using an ever-growing archive of found documents to create autonomous artworks, he tries to grasp language. Transformed into art, language becomes an ornament. At that moment, lots of ambiguities and indistinctnesses, which are inherent to the phenomenon, come to the surface. His works are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, ‘fact-fiction’ and popular scientific equivalents.

Andrea Roccioletti (°1979, Turin, Italy) makes sculptures and conceptual artworks. By contesting the division between the realm of memory and the realm of experience, Roccioletti makes work that generates diverse meanings. Associations and meanings collide. Space becomes time and language becomes image. His collected, altered and own sculptures are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. By experimenting with aleatoric processes, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective and unfiltered in their references to dream worlds, are frequently revealed as assemblages. His works feature coincidental, accidental and unexpected connections which make it possible to revise art history and, even better, to complement it. Combining unrelated aspects lead to surprising analogies. By studying sign processes, signification and communication, he absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation. His works question the conditions of appearance of an image in the context of contemporary visual culture in which images, representations and ideas normally function.

Andrea Roccioletti (°1979, Turin, Italy) creates performances, paintings, photos and drawings. With a subtle minimalistic approach, Roccioletti tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. His performances are based on inspiring situations: visions that reflect a sensation of indisputability and serene contemplation, combined with subtle details of odd or eccentric, humoristic elements. With a conceptual approach, he creates work in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found. The work is aloof and systematic and a cool and neutral imagery is used. His works directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. By creating situations and breaking the passivity of the spectator, he wants the viewer to become part of the art as a kind of added component. Art is entertainment: to be able to touch the work, as well as to interact with the work is important. His practice provides a useful set of allegorical tools for manoeuvring with a pseudo-minimalist approach in the world of performance: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination.

Andrea Roccioletti (°1979, Turin, Italy) creates media artworks, photos, drawings and sculptures. By demonstrating the omnipresent lingering of a ‘corporate world’, Roccioletti finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities. The artist also considers movement as a metaphor for the ever-seeking man who experiences a continuous loss. His media artworks are on the one hand touchingly beautiful, on the other hand painfully attractive. Again and again, the artist leaves us orphaned with a mix of conflicting feelings and thoughts. By manipulating the viewer to create confusion, his works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system. His works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By questioning the concept of movement, he often creates several practically identical works, upon which thoughts that have apparently just been developed are manifested: notes are made and then crossed out again, ‘mistakes’ are repeated. His works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound.

Andrea Roccioletti (°1979, Turin, Italy) makes installations, performances, installations and mixed media artworks. By focusing on techniques and materials, Roccioletti wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation. His installations are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. By applying a wide variety of contemporary strategies, he plays with the idea of the mortality of an artwork confronted with the power of a transitory appearance, which is, by being restricted in time, much more intense. His works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. By applying a poetic and often metaphorical language, he considers making art a craft which is executed using clear formal rules and which should always refer to social reality. His works are made through strict rules which can be perceived as liberating constraints. Romantic values such as ‘inspiration’, ‘genius’ and ‘authenticity’ are thereby neutralised and put into perspective.

Andrea Roccioletti (°1979, Turin, Italy) makes films, media art, films and conceptual artworks. By merging several seemingly incompatible worlds into a new universe, Roccioletti considers making art a craft which is executed using clear formal rules and which should always refer to social reality. His films bear strong political references. The possibility or the dream of the annulment of a (historically or socially) fixed identity is a constant focal point. By using popular themes such as sexuality, family structure and violence, he often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation. His works are often about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes developed in absurd ways. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. In a search for new methods to ‘read the city’, he uses a visual vocabulary that addresses many different social and political issues. The work incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. His works often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. By focusing on techniques and materials, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations. His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role.

Andrea Roccioletti (°1979, Turin, Italy) makes films, media art, films and conceptual artworks. By merging several seemingly incompatible worlds into a new universe, Roccioletti considers making art a craft which is executed using clear formal rules and which should always refer to social reality. His films bear strong political references. The possibility or the dream of the annulment of a (historically or socially) fixed identity is a constant focal point. By using popular themes such as sexuality, family structure and violence, he often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation. His works are often about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes developed in absurd ways. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, he focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. In a search for new methods to ‘read the city’, he uses a visual vocabulary that addresses many different social and political issues. The work incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. His works often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. By focusing on techniques and materials, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations. His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role.

Andrea Roccioletti (°1979, Turin, Italy) is an artist who works in a variety of media. By emphasising aesthetics, Roccioletti seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life. His artworks sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning.

 

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18 statement artistici falsi,
generati casualmente
Thanks to David James Ross e Joke De Winter
di Artybollocks

 

My work explores the relationship between acquired synesthesia and football chants. With influences as diverse as Rousseau and Roy Lichtenstein, new variations are synthesised from both orderly and random textures. Ever since I was a teenager I have been fascinated by the endless oscillation of the zeitgeist. What starts out as triumph soon becomes finessed into a manifesto of power, leaving only a sense of dread and the inevitability of a new synthesis. As shifting phenomena become clarified through emergent and repetitive practice, the viewer is left with a hymn to the edges of our existence.

My work explores the relationship between consumerist fetishism and unwanted gifts. With influences as diverse as Caravaggio and John Lennon, new combinations are created from both explicit and implicit narratives. Ever since I was a postgraduate I have been fascinated by the essential unreality of meaning. What starts out as yearning soon becomes manipulated into a manifesto of defeat, leaving only a sense of chaos and the prospect of a new synthesis. As shifting replicas become frozen through emergent and academic practice, the viewer is left with a clue to the edges of our world.

My work explores the relationship between Critical theory and vegetarian ethics. With influences as diverse as Kierkegaard and L Ron Hubbard, new variations are crafted from both constructed and discovered discourse. Ever since I was a student I have been fascinated by the endless oscillation of relationships. What starts out as vision soon becomes debased into a tragedy of futility, leaving only a sense of decadence and the inevitability of a new reality. As shimmering replicas become clarified through diligent and personal practice, the viewer is left with an insight into the outposts of our future.

My work explores the relationship between gender politics and multimedia experiences. With influences as diverse as Blake and Frida Kahlo, new tensions are crafted from both constructed and discovered textures. Ever since I was a postgraduate I have been fascinated by the unrelenting divergence of the zeitgeist. What starts out as contemplation soon becomes corroded into a tragedy of greed, leaving only a sense of dread and the prospect of a new understanding. As shifting replicas become transformed through emergent and critical practice, the viewer is left with a tribute to the possibilities of our condition.

My work explores the relationship between multiculturalism and vegetarian ethics. With influences as diverse as Caravaggio and John Cage, new synergies are created from both opaque and transparent discourse. Ever since I was a postgraduate I have been fascinated by the ephemeral nature of meaning. What starts out as contemplation soon becomes corroded into a carnival of greed, leaving only a sense of failing and the dawn of a new understanding. As subtle phenomena become clarified through studious and personal practice, the viewer is left with an insight into the outposts of our condition.

My work explores the relationship between new class identities and recycling culture. With influences as diverse as Camus and John Lennon, new combinations are crafted from both constructed and discovered structures. Ever since I was a pre-adolescent I have been fascinated by the unrelenting divergence of the human condition. What starts out as vision soon becomes finessed into a carnival of distress, leaving only a sense of failing and the prospect of a new understanding. As temporal forms become clarified through diligent and repetitive practice, the viewer is left with a hymn to the inaccuracies of our world.

My work explores the relationship between acquired synesthesia and life as performance. With influences as diverse as Camus and Joni Mitchell, new combinations are generated from both explicit and implicit narratives. Ever since I was a student I have been fascinated by the essential unreality of the moment. What starts out as yearning soon becomes manipulated into a carnival of futility, leaving only a sense of what could have been and the possibility of a new understanding. As spatial replicas become transformed through diligent and critical practice, the viewer is left with a hymn to the darkness of our culture.

My work explores the relationship between the universality of myth and counter-terrorism. With influences as diverse as Derrida and Roy Lichtenstein, new combinations are synthesised from both traditional and modern textures. Ever since I was a pre-adolescent I have been fascinated by the essential unreality of the mind. What starts out as hope soon becomes manipulated into a cacophony of greed, leaving only a sense of dread and the inevitability of a new beginning. As intermittent forms become transformed through diligent and critical practice, the viewer is left with a hymn to the darkness of our existence.

My work explores the relationship between new class identities and skateboard ethics. With influences as diverse as Nietzsche and Buckminster Fuller, new synergies are distilled from both traditional and modern structures. Ever since I was a student I have been fascinated by the endless oscillation of the moment. What starts out as triumph soon becomes corrupted into a cacophony of futility, leaving only a sense of unreality and the chance of a new synthesis. As shifting phenomena become transformed through studious and personal practice, the viewer is left with an epitaph for the possibilities of our future.

My work explores the relationship between postmodern discourse and romance tourism. With influences as diverse as Derrida and Andy Warhol, new variations are distilled from both orderly and random structures. Ever since I was a pre-adolescent I have been fascinated by the essential unreality of the human condition. What starts out as yearning soon becomes corroded into a tragedy of power, leaving only a sense of chaos and the unlikelihood of a new synthesis. As subtle forms become distorted through frantic and repetitive practice, the viewer is left with a clue to the possibilities of our era.

My work explores the relationship between gender politics and UFO sightings. With influences as diverse as Rousseau and John Lennon, new variations are created from both constructed and discovered structures. Ever since I was a pre-adolescent I have been fascinated by the theoretical limits of the universe. What starts out as vision soon becomes finessed into a tragedy of distress, leaving only a sense of failing and the inevitability of a new beginning. As wavering derivatives become clarified through emergent and personal practice, the viewer is left with a tribute to the limits of our future.

My work explores the relationship between acquired synesthesia and vegetarian ethics. With influences as diverse as Kierkegaard and Frida Kahlo, new variations are distilled from both mundane and transcendant discourse. Ever since I was a teenager I have been fascinated by the traditional understanding of meaning. What starts out as vision soon becomes debased into a dialectic of lust, leaving only a sense of chaos and the possibility of a new reality. As wavering replicas become distorted through boundaried and personal practice, the viewer is left with a tribute to the possibilities of our condition.

My work explores the relationship between the universality of myth and life as performance. With influences as diverse as Caravaggio and Joni Mitchell, new insights are synthesised from both traditional and modern narratives. Ever since I was a child I have been fascinated by the traditional understanding of the mind. What starts out as triumph soon becomes finessed into a dialectic of temptation, leaving only a sense of what could have been and the unlikelihood of a new beginning. As shifting forms become clarified through boundaried and diverse practice, the viewer is left with an epitaph for the edges of our existence.

My work explores the relationship between consumerist fetishism and counter-terrorism. With influences as diverse as Kafka and John Cage, new combinations are created from both explicit and implicit structures. Ever since I was a student I have been fascinated by the traditional understanding of the human condition. What starts out as hope soon becomes corroded into a hegemony of lust, leaving only a sense of failing and the inevitability of a new synthesis. As shimmering phenomena become clarified through diligent and academic practice, the viewer is left with an epitaph for the outposts of our world.

My work explores the relationship between the body and midlife subcultures. With influences as diverse as Rousseau and John Lennon, new variations are synthesised from both opaque and transparent layers. Ever since I was a child I have been fascinated by the endless oscillation of the moment. What starts out as hope soon becomes manipulated into a dialectic of defeat, leaving only a sense of what could have been and the dawn of a new order. As temporal phenomena become frozen through frantic and personal practice, the viewer is left with an insight into the possibilities of our future.

My work explores the relationship between Critical theory and counter-terrorism. With influences as diverse as Machiavelli and Roy Lichtenstein, new variations are synthesised from both traditional and modern layers. Ever since I was a postgraduate I have been fascinated by the essential unreality of meaning. What starts out as hope soon becomes corroded into a dialectic of defeat, leaving only a sense of decadence and the possibility of a new beginning. As subtle forms become distorted through emergent and personal practice, the viewer is left with a tribute to the outposts of our culture.

My work explores the relationship between emerging sexualities and midlife subcultures. With influences as diverse as Munch and Buckminster Fuller, new variations are manufactured from both orderly and random meanings. Ever since I was a postgraduate I have been fascinated by the unrelenting divergence of the human condition. What starts out as hope soon becomes manipulated into a carnival of power, leaving only a sense of what could have been and the chance of a new reality. As temporal replicas become clarified through studious and diverse practice, the viewer is left with a tribute to the darkness of our world.

My work explores the relationship between Jungian archetypes and daytime TV. With influences as diverse as Munch and Roy Lichtenstein, new tensions are crafted from both orderly and random meanings. Ever since I was a student I have been fascinated by the unrelenting divergence of the mind. What starts out as vision soon becomes corroded into a hegemony of temptation, leaving only a sense of chaos and the dawn of a new understanding. As momentary forms become reconfigured through frantic and personal practice, the viewer is left with a hymn to the edges of our era.

 

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700 titoli generati casualmente
Thanks to Béla di TitleGenerator

 

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367 100 Lessons Learned From the Pros On ROCCIOLETTI’S PERFORMANCE ART
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369 ROCCIOLETTI’S PERFORMANCE ART Is Your Worst Enemy. 10 Ways To Defeat It
370 7 Practical Tactics to Turn ROCCIOLETTI’S PERFORMANCE ART Into a Sales Machine
371 ROCCIOLETTI’S PERFORMANCE ART Explained 101
372 Take Advantage Of ROCCIOLETTI’S PERFORMANCE ART – Read These 10 Tips
373 22 Very Simple Things You Can Do To Save Time With ROCCIOLETTI’S PERFORMANCE ART
374 Where To Start With ROCCIOLETTI’S PERFORMANCE ART?
375 Thinking About ROCCIOLETTI’S PERFORMANCE ART? 10 Reasons Why It’s Time To Stop!
376 50 Best Tweets Of All Time About ROCCIOLETTI’S PERFORMANCE ART
377 21 New Age Ways To ROCCIOLETTI’S PERFORMANCE ART
378 ROCCIOLETTI’S PERFORMANCE ART: The Google Strategy
379 Time Is Running Out! Think About These 10 Ways To Change Your ROCCIOLETTI’S PERFORMANCE ART
380 Here Are 7 Ways To Better ROCCIOLETTI’S PERFORMANCE ART
381 What $325 Buys You In ROCCIOLETTI’S PERFORMANCE ART
382 Top 10 Websites To Look For ROCCIOLETTI’S PERFORMANCE ART
383 5 Incredible ROCCIOLETTI’S PERFORMANCE ART Examples
384 ROCCIOLETTI’S PERFORMANCE ART – What Do Those Stats Really Mean?
385 Beware: 10 ROCCIOLETTI’S PERFORMANCE ART Mistakes
386 The Definitive Guide To ROCCIOLETTI’S PERFORMANCE ART
387 10 Reasons Why You Are Still An Amateur At ROCCIOLETTI’S PERFORMANCE ART
388 Cash For ROCCIOLETTI’S PERFORMANCE ART
389 7 Amazing ROCCIOLETTI’S PERFORMANCE ART Hacks
390 A Good ROCCIOLETTI’S PERFORMANCE ART Is…
391 5 Things People Hate About ROCCIOLETTI’S PERFORMANCE ART
392 ROCCIOLETTI’S PERFORMANCE ART And The Art Of Time Management
393 How Google Uses ROCCIOLETTI’S PERFORMANCE ART To Grow Bigger
394 Does Your ROCCIOLETTI’S PERFORMANCE ART Goals Match Your Practices?
395 Is It Time to Talk More About ROCCIOLETTI’S PERFORMANCE ART?
396 Advanced ROCCIOLETTI’S PERFORMANCE ART
397 10 Alternatives To ROCCIOLETTI’S PERFORMANCE ART
398 What’s Right About ROCCIOLETTI’S PERFORMANCE ART
399 Secrets About ROCCIOLETTI’S PERFORMANCE ART
400 Solid Reasons To Avoid ROCCIOLETTI’S PERFORMANCE ART
401 10 Biggest ROCCIOLETTI’S PERFORMANCE ART Mistakes You Can Easily Avoid
402 Simple Steps To A 10 Minute ROCCIOLETTI’S PERFORMANCE ART
403 Apply Any Of These 10 Secret Techniques To Improve ROCCIOLETTI’S PERFORMANCE ART
404 ROCCIOLETTI’S PERFORMANCE ART Fears – Death
405 5 Stylish Ideas For Your ROCCIOLETTI’S PERFORMANCE ART
406 7 Days To Improving The Way You ROCCIOLETTI’S PERFORMANCE ART
407 Take Home Lessons On ROCCIOLETTI’S PERFORMANCE ART
408 10 Small Changes That Will Have A Huge Impact On Your ROCCIOLETTI’S PERFORMANCE ART
409 10 Reasons Why Having An Excellent ROCCIOLETTI’S PERFORMANCE ART Is Not Enough
410 ROCCIOLETTI’S PERFORMANCE ART The Right Way
411 Building Relationships With ROCCIOLETTI’S PERFORMANCE ART
412 Are You ROCCIOLETTI’S PERFORMANCE ART The Best You Can? 10 Signs Of Failure
413 7 Incredible ROCCIOLETTI’S PERFORMANCE ART Transformations
414 How To Make Money From The ROCCIOLETTI’S PERFORMANCE ART Phenomenon
415 The Etiquette of ROCCIOLETTI’S PERFORMANCE ART
416 Make The Most Out Of ROCCIOLETTI’S PERFORMANCE ART
417 A Simple Plan For ROCCIOLETTI’S PERFORMANCE ART
418 ROCCIOLETTI’S PERFORMANCE ART: Keep It Simple (And Stupid)
419 ROCCIOLETTI’S PERFORMANCE ART Creates Experts
420 The World’s Most Unusual ROCCIOLETTI’S PERFORMANCE ART
421 10 Undeniable Facts About ROCCIOLETTI’S PERFORMANCE ART
422 5 Emerging ROCCIOLETTI’S PERFORMANCE ART Trends To Watch In 2016
423 Why It’s Easier To Fail With ROCCIOLETTI’S PERFORMANCE ART Than You Might Think
424 ROCCIOLETTI’S PERFORMANCE ART Not Resulting In Financial Prosperity
425 Successful Stories You Didn’t Know About ROCCIOLETTI’S PERFORMANCE ART
426 Improve Your ROCCIOLETTI’S PERFORMANCE ART Skills
427 10 Essential Strategies To ROCCIOLETTI’S PERFORMANCE ART
428 9 Easy Ways To ROCCIOLETTI’S PERFORMANCE ART Without Even Thinking About It
429 The World’s Best ROCCIOLETTI’S PERFORMANCE ART You Can Actually Buy
430 10 Solid Reasons To Avoid ROCCIOLETTI’S PERFORMANCE ART
431 ROCCIOLETTI’S PERFORMANCE ART Without Driving Yourself Crazy
432 10 Ways to Make Your ROCCIOLETTI’S PERFORMANCE ART Easier
433 The Hollistic Aproach To ROCCIOLETTI’S PERFORMANCE ART
434 ROCCIOLETTI’S PERFORMANCE ART Doesn’t Have To Be Hard. Read These 9 Tricks Go Get A Head Start.
435 7 Facebook Pages To Follow About ROCCIOLETTI’S PERFORMANCE ART
436 ROCCIOLETTI’S PERFORMANCE ART! 10 Tricks The Competition Knows, But You Don’t
437 The #1 ROCCIOLETTI’S PERFORMANCE ART Mistake, Plus 7 More Lessons
438 10 Tips That Will Change The Way You ROCCIOLETTI’S PERFORMANCE ART
439 Questions For/About ROCCIOLETTI’S PERFORMANCE ART
440 The Most Common Mistakes People Make With ROCCIOLETTI’S PERFORMANCE ART
441 Extreme ROCCIOLETTI’S PERFORMANCE ART
442 Arguments For Getting Rid Of ROCCIOLETTI’S PERFORMANCE ART
443 5 Ways To Simplify ROCCIOLETTI’S PERFORMANCE ART
444 ROCCIOLETTI’S PERFORMANCE ART – Relax, It’s Play Time!
445 Free Advice On Profitable ROCCIOLETTI’S PERFORMANCE ART
446 My Biggest ROCCIOLETTI’S PERFORMANCE ART Lesson
447 What Are The 5 Main Benefits Of ROCCIOLETTI’S PERFORMANCE ART
448 When ROCCIOLETTI’S PERFORMANCE ART Businesses Grow Too Quickly
449 ROCCIOLETTI’S PERFORMANCE ART: The Easy Way
450 Introducing The Simple Way To ROCCIOLETTI’S PERFORMANCE ART
451 The Most Common ROCCIOLETTI’S PERFORMANCE ART Debate Isn’t As Simple As You May Think
452 15 Creative Ways You Can Improve Your ROCCIOLETTI’S PERFORMANCE ART
453 Crazy ROCCIOLETTI’S PERFORMANCE ART: Lessons From The Pros
454 Dreaming Of ROCCIOLETTI’S PERFORMANCE ART
455 3 Kinds Of ROCCIOLETTI’S PERFORMANCE ART: Which One Will Make The Most Money?
456 ROCCIOLETTI’S PERFORMANCE ART Money Experiment
457 ROCCIOLETTI’S PERFORMANCE ART Conferences
458 Se7en Worst ROCCIOLETTI’S PERFORMANCE ART Techniques
459 What’s Wrong With ROCCIOLETTI’S PERFORMANCE ART
460 What Do You Want ROCCIOLETTI’S PERFORMANCE ART To Become?
461 Who is Your ROCCIOLETTI’S PERFORMANCE ART Customer?
462 Are You Actually Doing Enough ROCCIOLETTI’S PERFORMANCE ART?
463 Free Advice On ROCCIOLETTI’S PERFORMANCE ART
464 10 Mesmerizing Examples Of ROCCIOLETTI’S PERFORMANCE ART
465 11 Things Twitter Wants Yout To Forget About ROCCIOLETTI’S PERFORMANCE ART
466 The Evolution Of ROCCIOLETTI’S PERFORMANCE ART
467 10 Ideas About ROCCIOLETTI’S PERFORMANCE ART That Really Work
468 ROCCIOLETTI’S PERFORMANCE ART Hopes and Dreams
469 2015 Is The Year Of ROCCIOLETTI’S PERFORMANCE ART
470 How I Got Started With ROCCIOLETTI’S PERFORMANCE ART
471 How Google Is Changing How We Approach ROCCIOLETTI’S PERFORMANCE ART
472 Are You ROCCIOLETTI’S PERFORMANCE ART The Right Way? These 5 Tips Will Help You Answer
473 How To Get Discovered With ROCCIOLETTI’S PERFORMANCE ART
474 3 Reasons Why Having An Excellent ROCCIOLETTI’S PERFORMANCE ART Isn’t Enough
475 3 More Cool Tools For ROCCIOLETTI’S PERFORMANCE ART
476 The Most Important Elements Of ROCCIOLETTI’S PERFORMANCE ART
477 5 Habits Of Highly Effective ROCCIOLETTI’S PERFORMANCE ART
478 59% Of The Market Is Interested In ROCCIOLETTI’S PERFORMANCE ART
479 ROCCIOLETTI’S PERFORMANCE ART For Sale – How Much Is Yours Worth?
480 4 Key Tactics The Pros Use For ROCCIOLETTI’S PERFORMANCE ART
481 These 10 Hacks Will Make You(r) ROCCIOLETTI’S PERFORMANCE ART (Look) Like A Pro
482 Finding Customers With ROCCIOLETTI’S PERFORMANCE ART (Part A,B,C … )
483 Three Quick Ways To Learn ROCCIOLETTI’S PERFORMANCE ART
484 Will ROCCIOLETTI’S PERFORMANCE ART Ever Die?
485 The Complete Guide To Understanding ROCCIOLETTI’S PERFORMANCE ART
486 The Best 5 Examples Of ROCCIOLETTI’S PERFORMANCE ART
487 The 3 Really Obvious Ways To ROCCIOLETTI’S PERFORMANCE ART Better That You Ever Did
488 How To Be In The Top 10 With ROCCIOLETTI’S PERFORMANCE ART
489 ROCCIOLETTI’S PERFORMANCE ART Strategies Revealed
490 ROCCIOLETTI’S PERFORMANCE ART 15 Minutes A Day To Grow Your Business
491 The Ultimate Strategy To ROCCIOLETTI’S PERFORMANCE ART
492 How to Create Your ROCCIOLETTI’S PERFORMANCE ART Strategy [Blueprint]
493 Why ROCCIOLETTI’S PERFORMANCE ART Doesn’t Work…For Everyone
494 ROCCIOLETTI’S PERFORMANCE ART Helps You Achieve Your Dreams
495 The Business Of ROCCIOLETTI’S PERFORMANCE ART
496 The Ten Commandments Of ROCCIOLETTI’S PERFORMANCE ART
497 Don’t Waste Time! 5 Facts To Start ROCCIOLETTI’S PERFORMANCE ART
498 ROCCIOLETTI’S PERFORMANCE ART – Choosing The Right Strategy
499 Strange Facts About ROCCIOLETTI’S PERFORMANCE ART
500 Sins Of ROCCIOLETTI’S PERFORMANCE ART
501 7 Life-Saving Tips About ROCCIOLETTI’S PERFORMANCE ART
502 Top 10 YouTube Clips About ROCCIOLETTI’S PERFORMANCE ART
503 Read This To Change How You ROCCIOLETTI’S PERFORMANCE ART
504 ROCCIOLETTI’S PERFORMANCE ART Abuse – How Not To Do It
505 10 Step Checklist for ROCCIOLETTI’S PERFORMANCE ART
506 10 DIY ROCCIOLETTI’S PERFORMANCE ART Tips You May Have Missed
507 The 5 Secrets To Effective ROCCIOLETTI’S PERFORMANCE ART
508 ROCCIOLETTI’S PERFORMANCE ART Review
509 How To Guide: ROCCIOLETTI’S PERFORMANCE ART Essentials For Beginners
510 10 Factors That Affect ROCCIOLETTI’S PERFORMANCE ART
511 Less = More With ROCCIOLETTI’S PERFORMANCE ART
512 Cats, Dogs and ROCCIOLETTI’S PERFORMANCE ART
513 ROCCIOLETTI’S PERFORMANCE ART – What Can Your Learn From Your Critics
514 Signs You Made A Great Impact On ROCCIOLETTI’S PERFORMANCE ART
515 ROCCIOLETTI’S PERFORMANCE ART Reviewed: What Can One Learn From Other’s Mistakes
516 10 Powerful Tips To Help You ROCCIOLETTI’S PERFORMANCE ART Better
517 10 Lessons You Can Learn From Bing About ROCCIOLETTI’S PERFORMANCE ART
518 ROCCIOLETTI’S PERFORMANCE ART Services – How To Do It Right
519 Don’t ROCCIOLETTI’S PERFORMANCE ART Unless You Use These 10 Tools
520 ROCCIOLETTI’S PERFORMANCE ART Opportunities For Everyone
521 ROCCIOLETTI’S PERFORMANCE ART Gets A Redesign
522 25 Best Things About ROCCIOLETTI’S PERFORMANCE ART
523 25 Of The Punniest ROCCIOLETTI’S PERFORMANCE ART Puns You Can Find
524 3 Reasons Why Facebook Is The Worst Option For ROCCIOLETTI’S PERFORMANCE ART
525 Attention-grabbing Ways To ROCCIOLETTI’S PERFORMANCE ART
526 Take Advantage Of ROCCIOLETTI’S PERFORMANCE ART – Read These 10 Tips
527 25 Questions You Need To Ask About ROCCIOLETTI’S PERFORMANCE ART
528 ROCCIOLETTI’S PERFORMANCE ART – How To Be More Productive?
529 8 Ways To ROCCIOLETTI’S PERFORMANCE ART Without Breaking Your Bank
530 10 Awesome Tips About ROCCIOLETTI’S PERFORMANCE ART From Unlikely Websites
531 12 Ways You Can ROCCIOLETTI’S PERFORMANCE ART Without Investing Too Much Of Your Time
532 ROCCIOLETTI’S PERFORMANCE ART – It Never Ends, Unless…
533 Did You Start ROCCIOLETTI’S PERFORMANCE ART For Passion or Money?
534 ROCCIOLETTI’S PERFORMANCE ART – Are You Prepared For A Good Thing?
535 Top 10 ROCCIOLETTI’S PERFORMANCE ART Accounts To Follow On Twitter
536 The Advanced Guide To ROCCIOLETTI’S PERFORMANCE ART
537 5 ROCCIOLETTI’S PERFORMANCE ART Issues And How To Solve Them
538 ROCCIOLETTI’S PERFORMANCE ART: Back To Basics
539 ROCCIOLETTI’S PERFORMANCE ART 2.0 – The Next Step
540 Time-tested Ways To ROCCIOLETTI’S PERFORMANCE ART
541 How To Spread The Word About Your ROCCIOLETTI’S PERFORMANCE ART
542 20 ROCCIOLETTI’S PERFORMANCE ART Mistakes You Should Never Make
543 The No. 1 ROCCIOLETTI’S PERFORMANCE ART Mistake You’re Making (and 4 Ways To Fix It)
544 How Did We Get There? The History Of ROCCIOLETTI’S PERFORMANCE ART Told Through Tweets
545 ROCCIOLETTI’S PERFORMANCE ART Consulting – What The Heck Is That?
546 Top 5 Books About ROCCIOLETTI’S PERFORMANCE ART
547 Top 10 Key Tactics The Pros Use For ROCCIOLETTI’S PERFORMANCE ART
548 Super Easy Simple Ways The Pros Use To Promote ROCCIOLETTI’S PERFORMANCE ART
549 10 Creative Ways You Can Improve Your ROCCIOLETTI’S PERFORMANCE ART
550 Is ROCCIOLETTI’S PERFORMANCE ART Making Me Rich?
551 How To Find The Time To ROCCIOLETTI’S PERFORMANCE ART On Twitter
552 The World’s Worst Advice On ROCCIOLETTI’S PERFORMANCE ART
553 ROCCIOLETTI’S PERFORMANCE ART: Is Not That Difficult As You Think
554 10 Effective Ways To Get More Out Of ROCCIOLETTI’S PERFORMANCE ART
555 ROCCIOLETTI’S PERFORMANCE ART Etics and Etiquette
556 The Consequences Of Failing To ROCCIOLETTI’S PERFORMANCE ART When Launching Your Business
557 10 Shortcuts For ROCCIOLETTI’S PERFORMANCE ART That Gets Your Result In Record Time
558 Where Will ROCCIOLETTI’S PERFORMANCE ART Be 6 Months From Now?
559 7 Things I Would Do If I’d Start Again ROCCIOLETTI’S PERFORMANCE ART
560 3 Guilt Free ROCCIOLETTI’S PERFORMANCE ART Tips
561 ROCCIOLETTI’S PERFORMANCE ART Stats: These Numbers Are Real
562 The Biggest Disadvantage Of Using ROCCIOLETTI’S PERFORMANCE ART
563 ROCCIOLETTI’S PERFORMANCE ART And Other Products
564 Poll: How Much Do You Earn From ROCCIOLETTI’S PERFORMANCE ART?
565 ROCCIOLETTI’S PERFORMANCE ART – What To Do When Rejected
566 3 Short Stories You Didn’t Know About ROCCIOLETTI’S PERFORMANCE ART
567 ROCCIOLETTI’S PERFORMANCE ART For Money
568 Getting The Best Software To Power Up Your ROCCIOLETTI’S PERFORMANCE ART
569 Can You Spot The A ROCCIOLETTI’S PERFORMANCE ART Pro?
570 Need More Inspiration With ROCCIOLETTI’S PERFORMANCE ART? Read this!
571 ROCCIOLETTI’S PERFORMANCE ART – Lessons Learned From Google
572 The Advantages Of Different Types Of ROCCIOLETTI’S PERFORMANCE ART
573 21 Effective Ways To Get More Out Of ROCCIOLETTI’S PERFORMANCE ART
574 How Much Do You Charge For ROCCIOLETTI’S PERFORMANCE ART
575 ROCCIOLETTI’S PERFORMANCE ART Like A Pro With The Help Of These 5 Tips
576 When Professionals Run Into Problems With ROCCIOLETTI’S PERFORMANCE ART, This Is What They Do
577 More on ROCCIOLETTI’S PERFORMANCE ART
578 How 5 Stories Will Change The Way You Approach ROCCIOLETTI’S PERFORMANCE ART
579 Must Have Resources For ROCCIOLETTI’S PERFORMANCE ART
580 What’s New About ROCCIOLETTI’S PERFORMANCE ART
581 10 Facts Everyone Should Know About ROCCIOLETTI’S PERFORMANCE ART
582 10 Reasons You Need To Stop Stressing About ROCCIOLETTI’S PERFORMANCE ART
583 Mind Blowing Method On ROCCIOLETTI’S PERFORMANCE ART
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585 5 Critical Skills To (Do) ROCCIOLETTI’S PERFORMANCE ART Loss Remarkably Well
586 Five Rookie ROCCIOLETTI’S PERFORMANCE ART Mistakes You Can Fix Today
587 10 Facts Everyone Should Know About ROCCIOLETTI’S PERFORMANCE ART
588 A Short Course In ROCCIOLETTI’S PERFORMANCE ART
589 Ridiculously Simple Ways To Improve Your ROCCIOLETTI’S PERFORMANCE ART
590 10 Trendy Ways To Improve On ROCCIOLETTI’S PERFORMANCE ART
591 Welcome to a New Look Of ROCCIOLETTI’S PERFORMANCE ART
592 When Is The Right Time To Start ROCCIOLETTI’S PERFORMANCE ART
593 Random ROCCIOLETTI’S PERFORMANCE ART Tip
594 Understanding ROCCIOLETTI’S PERFORMANCE ART
595 Why ROCCIOLETTI’S PERFORMANCE ART Is A Tactic Not A Strategy
596 The Impact Of ROCCIOLETTI’S PERFORMANCE ART On Your Customers/Followers
597 To Click Or Not To Click: ROCCIOLETTI’S PERFORMANCE ART And Blogging
598 Are You Struggling With ROCCIOLETTI’S PERFORMANCE ART? Let’s Chat
599 ROCCIOLETTI’S PERFORMANCE ART in 2015 – Predictions
600 One Surprisingly Effective Way To ROCCIOLETTI’S PERFORMANCE ART
601 Here’s Why 1 Million Customers In the US Are ROCCIOLETTI’S PERFORMANCE ART
602 The Wildest Thing About ROCCIOLETTI’S PERFORMANCE ART Is Not Even How Disgusting It Is
603 ROCCIOLETTI’S PERFORMANCE ART For Fun
604 This Test Will Show You Wheter You’re An Expert in ROCCIOLETTI’S PERFORMANCE ART Without Knowing It. Here’s How It Works
605 5 New Definitions About ROCCIOLETTI’S PERFORMANCE ART You Don’t Usually Want To Hear
606 Is This ROCCIOLETTI’S PERFORMANCE ART Thing Really That Hard
607 An Analysis Of 12 ROCCIOLETTI’S PERFORMANCE ART Strategies… Here’s What We Learned
608 ROCCIOLETTI’S PERFORMANCE ART: Are You Prepared For A Good Thing?
609 Strategy For Maximizing ROCCIOLETTI’S PERFORMANCE ART
610 13 More Reasons To Be Excited About ROCCIOLETTI’S PERFORMANCE ART
611 21 Scary ROCCIOLETTI’S PERFORMANCE ART Ideas
612 ROCCIOLETTI’S PERFORMANCE ART Tip: Make Yourself Available
613 3 Documentaries About ROCCIOLETTI’S PERFORMANCE ART That Will Truly Change The Way You See ROCCIOLETTI’S PERFORMANCE ART
614 8 Things About ROCCIOLETTI’S PERFORMANCE ART That You Want… Badly
615 Learn Anything New From ROCCIOLETTI’S PERFORMANCE ART Lately? We Asked, You Answered!
616 Heard Of The Great ROCCIOLETTI’S PERFORMANCE ART BS Theory? Here Is A Great Example
617 ROCCIOLETTI’S PERFORMANCE ART For Beginners and Everyone Else
618 It’ Hard Enough To Do Push Ups – It’s Even Harder To Do ROCCIOLETTI’S PERFORMANCE ART
619 The best explanation of ROCCIOLETTI’S PERFORMANCE ART I have ever heard
620 Is It Time To Talk More ABout ROCCIOLETTI’S PERFORMANCE ART?
621 This Could Happen To You… ROCCIOLETTI’S PERFORMANCE ART Errors To Avoid
622 Are You Good At ROCCIOLETTI’S PERFORMANCE ART? Here’s A Quick Quiz To Find Out
623 ROCCIOLETTI’S PERFORMANCE ART Data We Can All Learn From
624 You’re Welcome. Here Are 8 Noteworthy Tips About ROCCIOLETTI’S PERFORMANCE ART
625 Try These 5 Things When You First Start ROCCIOLETTI’S PERFORMANCE ART (Because of Science)
626 What Makes ROCCIOLETTI’S PERFORMANCE ART That Different
627 Arguments of Getting Rid Of ROCCIOLETTI’S PERFORMANCE ART
628 Ever Heard About Extreme ROCCIOLETTI’S PERFORMANCE ART? Well About That…
629 They Compared CPA Earnings To Those Made With ROCCIOLETTI’S PERFORMANCE ART. It’s Sad
630 ROCCIOLETTI’S PERFORMANCE ART Mindset. Genius Idea!
631 7 Valuable Lessons About ROCCIOLETTI’S PERFORMANCE ART That You’ll Never Forget
632 Intense ROCCIOLETTI’S PERFORMANCE ART – Blessing Or A Curse
633 A Costly But Valuable Lesson in ROCCIOLETTI’S PERFORMANCE ART
634 ROCCIOLETTI’S PERFORMANCE ART – Does Size Matter?
635 The Biggest Problem in ROCCIOLETTI’S PERFORMANCE ART Comes Down To This Word That Starts With “W”
636 Anyone Who Has A Problem With ROCCIOLETTI’S PERFORMANCE ART Needs To Know One Thing
637 7 Tips From A ROCCIOLETTI’S PERFORMANCE ART Pro
638 Think Of A ROCCIOLETTI’S PERFORMANCE ART. Now Draw A ROCCIOLETTI’S PERFORMANCE ART. I Bet You’ll Make The Same Mistake As Most People Do
639 Here’s a 2 Minute Video That’ll Make You Rethink Your ROCCIOLETTI’S PERFORMANCE ART Strategy
640 In the Age of Information, Specializing in ROCCIOLETTI’S PERFORMANCE ART
641 ROCCIOLETTI’S PERFORMANCE ART Experiment We Can All Learn From
642 ROCCIOLETTI’S PERFORMANCE ART Sucks. But You Should Probably Know More About It Than That.
643 ROCCIOLETTI’S PERFORMANCE ART: Quality vs Quantity
644 Some Facts About ROCCIOLETTI’S PERFORMANCE ART That Will Make You Feel Better
645 They Asked 100 Experts About ROCCIOLETTI’S PERFORMANCE ART. One Answer Stood Out
646 Something Fascinating Happened After Taking Action On These 5 ROCCIOLETTI’S PERFORMANCE ART Tips
647 ROCCIOLETTI’S PERFORMANCE ART Tip: Shake It Up
648 Remember Your First ROCCIOLETTI’S PERFORMANCE ART Lesson? I’ve Got Some News…
649 These Facts Just Might Get You To Change Your ROCCIOLETTI’S PERFORMANCE ART Strategy
650 ROCCIOLETTI’S PERFORMANCE ART Experiment: Good or Bad?
651 6 Nontraditional ROCCIOLETTI’S PERFORMANCE ART Techniques That Are Unlike Any You’ve Ever Seen. Ther’re Perfect.
652 When ROCCIOLETTI’S PERFORMANCE ART Means More Than Money
653 ROCCIOLETTI’S PERFORMANCE ART: Launching Your Own Affiliate Program
654 A Beautifully Refreshing Perspective On ROCCIOLETTI’S PERFORMANCE ART
655 What You Didn’t Realize About ROCCIOLETTI’S PERFORMANCE ART Is Powerful – But Extremely Simple
656 Heard Of The ROCCIOLETTI’S PERFORMANCE ART Effect? Here It Is
657 The Stuff About ROCCIOLETTI’S PERFORMANCE ART You Probably Hadn’t Considered. And Really Should
658 Free ROCCIOLETTI’S PERFORMANCE ART Coaching Servies
659 Look Ma, You Can Actually Build a Bussiness With ROCCIOLETTI’S PERFORMANCE ART
660 If You Want To Be Successful In ROCCIOLETTI’S PERFORMANCE ART, Here Are 5 Invaluable Things To Know
651 6 Nontraditional ROCCIOLETTI’S PERFORMANCE ART Techniques That Are Unlike Any You’ve Ever Seen. Ther’re Perfect.
652 When ROCCIOLETTI’S PERFORMANCE ART Means More Than Money
653 ROCCIOLETTI’S PERFORMANCE ART: Launching Your Own Affiliate Program
654 A Beautifully Refreshing Perspective On ROCCIOLETTI’S PERFORMANCE ART
655 What You Didn’t Realize About ROCCIOLETTI’S PERFORMANCE ART Is Powerful – But Extremely Simple
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657 The Stuff About ROCCIOLETTI’S PERFORMANCE ART You Probably Hadn’t Considered. And Really Should
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659 Look Ma, You Can Actually Build a Bussiness With ROCCIOLETTI’S PERFORMANCE ART
660 If You Want To Be Successful In ROCCIOLETTI’S PERFORMANCE ART, Here Are 5 Invaluable Things To Know
661 Top 10 Mistakes On ROCCIOLETTI’S PERFORMANCE ART That You Can Easlily Correct Today
662 Am I Weird When I Say That ROCCIOLETTI’S PERFORMANCE ART Is Dead?
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666 When ROCCIOLETTI’S PERFORMANCE ART Grow Too Quickly, This Is What Happens
667 They Were Asked 3 Questions About ROCCIOLETTI’S PERFORMANCE ART… It’s A Great Lesson
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673 We Wanted To Draw Attention To ROCCIOLETTI’S PERFORMANCE ART.So Did You.
674 ROCCIOLETTI’S PERFORMANCE ART: A List of 11 Things That’ll Put You In a Good Mood
675 A Smart, Educational Look At What ROCCIOLETTI’S PERFORMANCE ART *Really* Does In Our World
676 It’s The Side of Extreme ROCCIOLETTI’S PERFORMANCE ART Rarely Seen, But That’s Why It’s Needed
677 The Secret Code To ROCCIOLETTI’S PERFORMANCE ART. Yours, For Free… Really
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681 7 Magical Mind Tricks To Help You Declutter ROCCIOLETTI’S PERFORMANCE ART
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688 It’s The Side Of Extreme ROCCIOLETTI’S PERFORMANCE ART Rarely Seen, But That’s Why Is Needed
689 My Biggest ROCCIOLETTI’S PERFORMANCE ART Lesson
690 10 Thing I Like About ROCCIOLETTI’S PERFORMANCE ART, But #3 Is My Favorite
691 These 13 Inspirational Quotes Will Help You Survive in The ROCCIOLETTI’S PERFORMANCE ART World
692 The Anatomy Of ROCCIOLETTI’S PERFORMANCE ART
693 Here Are 4 ROCCIOLETTI’S PERFORMANCE ART Tactics Everyone Believes In. Which One Do You Prefer?
694 The Difference Between ROCCIOLETTI’S PERFORMANCE ART And Search Engines
695 How Do You Define ROCCIOLETTI’S PERFORMANCE ART? Because This Definition Is Pretty Hard To Beat.
696 When You Ask People About ROCCIOLETTI’S PERFORMANCE ART This Is What They Answer
697 Building Relationships With ROCCIOLETTI’S PERFORMANCE ART
698 Genius! How To Figure Out If You Should Really Do ROCCIOLETTI’S PERFORMANCE ART
699 ROCCIOLETTI’S PERFORMANCE ART: One Question You Don’t Want To Ask Anymore
700 10 Experimental And Mind-Bending ROCCIOLETTI’S PERFORMANCE ART Techniques That You Won’t See In Textbooks

 

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Bonus track
per chi ha scrollato fino a qui.

 

Anna, anima bella.

Anna inciampava sulle note senza mai cadere.

Vestita dei colori del Balon, ballava felice, anche se la sua era una storia triste che non raccontava perché ancora legata alle mani e alle parole di chi l’aveva offesa. Camminava fra i banchi del mercato con l’arcobaleno nel cuore e aspettava una canzone per indossare le sue scarpette da ballo. Aveva il sorriso grande e gli occhi gonfi di libertà infinita e a tempo con il battito del suo cuore da bambina, improvvisava spettacoli troppo spesso scambiati per siparietti ridicoli. Per chi non la conosceva, era una cornice d’ilarità in una passeggiata da turista ma per chi al Balon vive era l’appuntamento con la gioia in una giornata che esigeva spiegazioni.

Anna, a suo modo, era la risposta.

Dirigeva il traffico e dall’alto di una finestra; sembrava piccola nei suoi modi goffi ma lei era il direttore e le auto la sua orchestra che aspettava diligente un cenno della sua mano per poter cambiare direzione. Non so se avesse dimenticato il dolore ma fra il male e la luce aveva scelto di splendere. Nei momenti di tensione fra gli ambulanti o con la polizia stessa, lei era l’ago della bilancia, la madre che tutti protegge, la ragione che tornava, il sorriso che si accendeva. Ad ogni corteo o manifestazione era in prima fila per dare sostegno, mandava baci, abbracciava figure e sebbene fossero macigni i suoi anni di solitudine immensa, era la prima ad offrire compagnia e conforto. Ballava e volava e ringraziava chi le regalava musica per averla liberata dalla sua cattività.

La chiamavano Anna “la pazza”
ma al Balon era semplicemente Anna, anima bella.

[Emanuela Schibeci]

 

 

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In collaborazione con

 

 

 

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